Tag Archives: champagne

Bubbles Beyond Champagne: Ten Regions for Fine Sparkling Wine

 

The bottling line at Ferrari in Trentino, Italy.

If you missed my USA Today article, I’ve reposted it here for your convenience. 

Pop, sigh, fizz. The stats are in: Americans love bubbles, having embraced them not only for celebrations but as a year-round drink. Last year, for example, sparkling wine sales in the U.S. grew by 25 percent. Of course, no occasion proves more appropriate for sparklers than the turning over of a new year. As you reach for bottles to celebrate the close of 2017, consider sipping beyond the popular categories of Champagne and Prosecco. High-quality and good value alternatives come from every corner of the world nowadays. So, if 2018 begins with a pledge to broaden your horizons, you can start with the fizz in your glass.

  1. Burgundy, France: Domaine Francois Mikulski, Crémant de Bourgogne

If the best Champagne is made from Pinot Noir and Chardonnay, and Burgundy produces the finest still wines from those grapes, shouldn’t Burgundy have the potential to make wonderful sparkling wine? Well, it does, and it’s called Crémant de Bourgogne. Crémant refers to the category of French bubbles made with the same technique as Champagne, but from outside the Champagne region. Mikulski, a vigneron from Meursault, has some of the finest vineyard holdings in the village, and while his still wines are hard to find, his affordable Crémant (around $24) can still be tracked down around the U.S. Made from 50% Pinot Noir, 35% Chardonnay, and 15% Aligote, the wine is aged for 18 months on the lees, and provides a perfect jumping off point for discovering the category. The wine shows purity of fruit, lovely mineral notes, and a creamy full mousse.

  1. Loire Valley, France: Chidaine, Brut Nature Methode Traditionelle 2015

Like Burgundy, Loire Valley, too, makes superb fizz. But the white grape that dominates the sparklers of this long, river-hugging region is not Chardonnay but Chenin Blanc. Within the appellation of Montlouis-Sur-Loire, across from Vouvray, works and lives François Chidaine. A biodynamic farmer who strives for transparency and authenticity in his wines, Chidaine is revered by many wine lovers and professionals. Every year in small quantities he bottles a 100 percent sparkling Chenin Blanc. He foregoes the final dollop of sweetness, known as dosage, to make a fully dry ‘Brut Nature’. The result: a crisp, mineral-driven wine with a pretty nose and palate of white flowers, pear, and citrus, on a lengthy finish.

  1. Sussex, England: Ridgeview, Bloomsbury Brut 2014

Once the new kid on the block, British fizz has fast proven itself in a competitive category, winning prestigious awards that confirm it’s here to stay. In fact, a changing – warming – climate almost guarantees a long lifespan for the relatively nascent region of Sussex, England. The local climate and limestone soils are akin to Champagne, almost 90 miles south. Cool nights and an overall cooler climate, allow the grapes to retain their bright, sharp flavors even when fully ripe, making it an ideal growing area for the classic Champagne trio: Chardonnay, Pinot Noir, and Pinot Meunier. Ridgeview is a leading producer and one of the easier brands to find in the United States. The Bloomsbury Brut, a blend of all three grapes, has a fine mousse and great finesse, with lively green apple, white peach and lemon notes on the long finish.

  1. Franciacorta, Italy: Ca’ del Bosco, Cuvee Prestige NV

A competition has long been brewing between Italy’s leading sparkling wine regions. Producers located in Lombardy’s Franciacorta naturally declare themselves to be the finest producers of high-quality Metodo Classico, or sparkling wine made in the traditional (Champagne) method. The wines reflect the style, complexity and quality of the premier French region, but taste very much of place. The appellation of Franciacorta falls within the province of Brescia in the hills just south beyond Lake Iseo in Northern Italy. Thus, a cooler climate near a moderating lake allows for Chardonnay and Pinot Noir grapes, plus Pinot Blanc, to thrive. Internationally respected brand Ca’ del Bosco is easily recognizable by it golden cellophane wrapping, but it’s the juice inside that earns admiration. The Cuvee Prestige is a blend of the region’s three typical grapes, the Pinot Blanc adding a touch of floral fragrance. Fine bubbles, flavors of apple, lemon, and apricot, and flashy packaging, make this a great choice for impressing dinner guests.

  1. Western Cape, South Africa: Saltare, Brut Reserve NV

If consumers were asked about their impressions of South African wine, they might offer “Chenin Blanc,” “Bordeaux-like reds,” or maybe “Pinotage” but few would likely reference Methode Cap Classique, or MCC for short. MCCs are South Africa’s answer to Champagne. They are high-quality, traditional method sparkling wines that have become so good, they deserve greater global recognition. Yet while they’re easy to find in situ, only a handful make it to the American market. Fortunately, one of the best small producers has a great importer who gets her wine to US shelves. Owner-winemaker Carla Pauw of Saltare wines, named after the Latin word for “to dance,” largely focuses on sparkling, producing a Brut Reserve from grapes sourced in the Western Cape. This bottle is one of her more mature sparklers, with a minimum of 36 months on the lees. This extended aging contributes a fuller body, complexity, and a long, toasty finish.

  1. Mosel Valley, Germany: Dr. Loosen, Sparkling Riesling Sekt

German sparkling wine goes by the name Sekt. Given Germany’s most important grape is Riesling, it’s logical that this aromatic white grape provides the base for most fizz. But sparkling Riesling can prove an unusual taste for those unfamiliar with it; hence, consider starting with an approachable example, from both a flavor and pocketbook standpoint. Enter Dr. Loosen from the Mosel Valley. The Loosen estate has been in the family for 200 years, with some of Germany’s best-rated vines within the family portfolio. The business is currently run by Ernst Loosen, who has taken quality standards to new heights while still delivering great value from his wines. Specifically, the Dr. L Riesling, an entry-level sparkler conveying the elegant, bright fruit flavors derived from the Mosel’s famous steep slate soils, sells for an attractive price. At 8.5% alcohol, and medium sweetness levels, it’s an easy quaffing wine, too.

  1. Kamptal, Austria: Bründlmayer, Brut Sekt

Americans familiar with Sekt likely associate it with Germany, but Austria makes their own version. Grapes typically include Riesling, Chardonnay, Pinots Blanc and Gris, but it’s the indigenous grape Grüner Veltliner that makes Austrian fizz distinct. Located in the famous wine region of Kamptal, Weingut Bründlmayer produces several variations on Sekt. The Brut, made in the traditional method, blend the latter four mentioned white grapes, and gives fine Champagne a run for its money. Offering trademark bottle aged notes of yeasty toastiness, flavors flow into apple, quince, and lemon zest on the creamy palate. A slight peppery note, characteristic of Grüner, reveals itself in the long, crunchy finish. This is an excellent bottle from a well-known producer that provides a good introduction to Austrian bubbles.

  1. Penedès, Spain: Raventós, i Blanc De La Finca 2014

Most consumers who know Spanish sparkling wine think of Cava. There are several prolific brands offering good, entry-level value. But one family has sought to elevate the category beyond the supermarket and into fine wine territory. That family is Raventos, a lineage boasting winemaking traditions reaching back to 1497. In fact, they are credited with producing the first Cava in 1872. However, in recent years, the family has become synonymous with controversy as their focus on organic farming, utmost quality, and terroir-driven expressions has led them to break from the Cava DO to pursue a new appellation, Conca del Riu Anoia. Fundamental to the Raventos philosophy is the use of indigenous grapes in their wines. Those varieties, Xarel-lo, Parellada, Macabeo, make up the blend in the de la Finca, an exceptional traditional method wine that sees a minimum aging period of three years.

  1. Trentino, Italy: Ferrari, Perle Nero 2009

As awareness of styles other than Prosecco grows, and wine drinkers continue to trade up – often drinking less but better – Trentino provides the obvious next stop in Italy. Tucked into the mighty Dolomites of the north, the area’s sparkling appellation TrentoDOC covers traditional method wines called metodo classico. These mountain bubbles are racy, mineral-soaked expressions delivering precision and elegance as a result of their cool-climate, higher altitude origin. The founding father of fizz in Trentino is Giulio Ferrari, who brought the technique of Champagne production to his village in 1902. Ferrari today has grown into a powerhouse producer by Trentino standards, although production’s a drop in the bucket compared to the big houses in France. Ferrari makes easy to find, standout wines in all price tiers, including the “Perle” line which is a vintage expression. “Nero” references the sole use of red grapes, like Blanc de Noir, which gives the wine a deeper, richer, berry-scented palate.

  1. Russian River Valley, California: J Vineyards & Winery, Cuvée 20 Brut NV

As America’s foremost wine state, it should come as no surprise that California produces sparkling wine from myriad regions. However, bubble lovers know the best examples come from cooler growing areas. Why? Brisk air and chilly nights preserve acidity and tension. That’s why vineyards further north in an otherwise warm state, like those in the Russian River Valley, are best suited to the style. One pioneering and widely available producer from Northern California is J Vineyards and Winery. Founded in 1986, J has earned a reputation as one of the best sparkling-focused houses in the U.S. They work with classic Champagne grapes and follow the same traditional method bottle fermentation and aging processes. Their signature sparkler, assembled from their coolest vineyards, is Cuvée 20, a delicious non-vintage brut with 24 months of aging that imbued toasted nut notes to the lively, lemon-custard evocative wine.

 

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Pork Schnitzel with Cucumber Salad and Champagne

Skip the Grüner and pair Champagne with fried schnitzel.

As many of you know, I’ve been writing recipes with wine pairings for Wine Enthusiast. Here’s a recent selection from the fall wine and food guide

Traditionally, Austrians use veal for their Wiener Schnitzel. But “schnitzel” merely describes a cutlet of meat, pounded thin, then breaded and fried, so pork subs in easily. Plus, it’s cheaper and less ethically ambiguous. The cool flavors of cucumber and dill balance the dish, while the salad, as a swap for potatoes, reduces carbs — for those of you who are counting.

To Pair: Champagne
Grüner Veltliner is the traditional schnitzel match, but it’s hardly the only wine that works. Case in point: Champagne, a lover of crunchy, fried foods. Pork is light enough in flavor to let a rich, toasty bottle of Champers shine, while the wine’s brisk character will cut through the meat’s fried exterior.

Serves 4; Total time: 45 minutes

INGREDIENTS
Four 4-ounce boneless pork chops, butterflied and pounded thin (ask your butcher to prepare the meat for you)
1 cup all-purpose flour
2 large eggs
2 tablespoons of milk
2 cups panko (Japanese bread crumbs)
Canola oil, for frying
1 cup flat-leaf parsley
1 lemon, cut into wedges for serving
Cucumber Salad
4 Persian cucumbers
½ cup sour cream
1 tablespoon sherry or champagne vinegar
1 tablespoon chopped dill plus sprigs for garnish
Salt and pepper, to season

DIRECTIONS
1. Cut cucumbers into thin rounds and finely chop the dill. In a bowl, add the sour cream, vinegar, salt, and pepper, and stir to combine. Add cucumber slices, dill, then mix. Cover and put it in the refrigerator.

2. Beat eggs in bowl with milk. Put flour and panko on separate plates or waxed paper. Season pork with salt and pepper and dip in the flour, then egg, then panko, pressing gently to coat.

3. In a large skillet, heat a 1/2 inch of oil until shimmering. Add cutlets (in a single layer) and cook over high heat, turning once, until golden, about 3 minutes. Drain on paper towels. Add parsley to the skillet and cook until crisp, about 30 seconds. Using a slotted spoon, transfer parsley to a paper towel and sprinkle with salt. Serve the pork with the cucumber salad. Garnish with parsley.

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When Only The Best Champagne Will Do: Six Prestige Cuvées To Drink Now

Champagne Bar Cart. (Photo by Lauren Mowery)

If you missed my article in Forbes last week, I’ve reposted it here…

Luxury Champagne deserves to be drunk on more occasions than milestone celebrations; at the very least, it complements tragedies equally well, if not better. Consider the notoriously depressing events that have defined 2016. Even if you achieved personal bests in health, love, or money, regarding the collective we can agree the year unfolded like a Cormac McCarthy novel, exacting a psychic toll on the country.

From the deaths of legendary musicians Prince, David Bowie, Phife Dawg, Leonard Cohen; to the passing of wine icons Peter Mondavi, Margrit Mondavi, Mary Novak, Paul Pontallier; to the ceaseless loop of negative election coverage that failed to end with the election. Brexit, Ryan Lochte, Harambe, the Syrian refugee crisis, Zika, heat records, massive flooding, and Trump’s tweets. Even the year’s most acclaimed film stars an Affleck brother plumbing the depths of Manchester’s saddest janitor. And who knows what December surprise looms ahead. So, I suggest popping corks and putting this broken year out of its misery one month ahead of schedule, and the only wine with the gravitas to pair to the tragicomedy of 2016 (after all, Alec Baldwin returned), is prestige cuvée Champagne.

While no rules define the term prestige, typically these cuvées represent the producer’s best and most expensive bottle; the wine a Champagne house considers its top expression from their finest fruit. This generally entails grand cru grapes from the oldest vines, with extended cellar aging, often with a late disgorgement.

Here are six acme Champagnes to celebrate the end of an outrageous year.

Freshness and Finesse from a Founding Family…

Billecart-Salmon (Photo by Lauren Mowery)

Billecart-Salmon Cuvée Nicolas Francois Brut 2002, $200

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Filed under Bollinger, Champagne, Ruinart

Bollinger Discovered A Secret Room Filled With Vintage Champagne, Will Auction One Bottle In NYC

Bollinger’s inaugural auction, hosted by Sotheby’s, comes to NYC in November. (Photo provided by Bollinger Champagne)

Bollinger’s inaugural auction, hosted by Sotheby’s, comes to NYC in November. (Photo provided by Bollinger Champagne)

Do you get a little giddy after pulling a winter coat out of storage and finding a $20 bill in the pocket? Imagine, then, the thrill of discovering a hidden chamber filled with over 600 bottles and magnums of pre-WWII reserve wine for Bollinger Champagne. In the summer of 2010, that’s precisely what happened at this Champagne house in Aÿ. In fact, an intern had been sent to the subterranean tunnels of the property’s cellar to clean. During the process of removing a wall of empty bottles, another wall sealing off an abandoned chamber was discovered. Inside were the personal wine collections of past family members dating back to 1830. Bollinger was founded in 1829.

Through rigorous tasting and analysis, the wines were verified and identified. In 2012, under the guidance of Cellar Master Gilles Descôtes, a restoration project was started to save the rare bottles. All of the wines will remain in the Bollinger Wine Libraries with the exception of one. And that one bottle, comprising Lot 40, is the showpiece of Bollinger’s first ever auction, hosted by Sotheby’s in New York City on November 19, 2016.

Presented by the auction house as “A Century of Champagne Bollinger,” the event will feature a selection of rare wines that have never before left the winery’s cellars in Aÿ, France. In other words, the wines have perfect provenance. The sale is a milestone for the legacy Champagne house, known for its uniquely complex and powerful, yet sophisticated style. Since its founding, Bollinger remains one of the last independent family houses. Other notable achievements: Bollinger’s elegance seduced the Crown of England into awarding it the prestigious Royal Warrant in 1884; and for more than 40 years, Bollinger has served as the Champagne of choice of James Bond.

Bollinger CEO Jérôme Philipon commented: “For the first-ever auction of Champagne Bollinger in the U.S., we are extremely proud to have Sotheby’s as our partner. Not only will we unveil an incredible depth of vintages this November, but we will also demonstrate the unique capacity of Bollinger Champagnes to age. We are thrilled to connect directly with our American customers with these gems from our cellars.”

An intern found a hidden stock of Bollinger reserve wine in a forgotten room in the cellar. (Photo provided by Bollinger Champagne)

The auction highlight, Lot 40, will include the historical 1914 vintage, packaged as “The Bollinger 1914 Experience.” The lucky buyer won’t actually take the wine home or transfer it to a remote, high-security facility. Rather, he or she will savor it at the winery, accompanied by three new best friends. The package will be sold as a once-in-a-lifetime opportunity for four people to taste the 100+ year vintage as part of a private visit to Galerie 1829 at Bollinger. The lot also includes vineyard and winery visits; dinner with Bollinger Champagnes at the two-star Michelin restaurant Le Parc at Les Crayères, hosted by Philipon; and accommodation at Le Château Les Crayères in Reims.

If Lot 40 eludes you — after all, there can only be one winner — other highlights of the sale include:

  • Six lots of the exceptionally rare and hallowed Vieilles Vignes Françaises from historic vintages. The wines recall pre-phylloxera days, as they are made from a minute production of ungrafted Pinot Noir vines in two Bollinger-owned Grand Cru plots: Chaudes Terres and Clos St. Jacques in Aÿ;
  • Thirty-five lots of Bollinger R.D. library stock spanning four decades from 1973 to 2000; and
  • Bollinger’s Special Cuvée in eight different formats, from half-bottles to a Nebuchadnezzar.

Serena Sutcliffe MW, Honorary Chairman at Sotheby’s Wine, advised potential bidders: “if you plan to buy vintages to keep for important anniversaries and family milestones, remember to stock up on show-stopping ‘grands formats.’” She had the pleasure of tasting through Jeroboams down to bottles, and noted that not only did the larger formats maintain their freshness and youthfulness, but they retained more pressure and thus effervescence. And I’ll add one more comment to that: they look spectacular when served. So, when you have the choice of a Jeroboam, take it.

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Why Pairing Wine With Your Super Bowl Snacks Isn’t Pretentious

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Wine shouldn’t be foisted onto every culinary event; no matter how grand or mundane, some matches are better left alone: the Kentucky Derby and bourbon, or bagels, lox, and black coffee (OK, a glass of Champagne wouldn’t be so terrible with either). “Super Bowl & Beer” sounds like another archetype that doesn’t need tinkering. But there’s a case to be made for wine.

Consider traditional binge-watching football foods: bean chili, beef-cheese-jalapeño-smothered nachos, Sriracha hot wings, short-rib sliders, guac and chips. At first glance, pairing wine with any of these might sound like a disastrous exercise in pretentiousness. On closer examination, though, there are, in fact, a number of wines that would temper heat, complement spice and salt, and cut through fat better than a beer. We’re not suggesting you forgo the keg of Founders All Day IPA, but consider supplementing your beverage rotation with these five wines.

Sparkling Wine
By now, perhaps you’ve heard of the Sommelier Special: pairing a high-brow bottle of Champagne with a humble bag of Lay’s. Champagne’s chalky, bright acid and persistent stream of effervescence has a way of cutting through fried, oily dishes like chips and fried chicken. But Champagne is expensive, and few of us wish to waste it on a bag of spuds (or our Patriots-supporting frenemies). Look to American bubbles instead.

Roederer Estate Brut, NV, California, $21: Best-value, complex American sparkler made using the Champagne method.

Zinfandel
I’m not talking about the white kind (that comes in a box and is called Franzia), but the ripe, juicy red stuff pumped out of the classic regions of Sonoma, Lodi, and the Dry Creek Valley in California (also found in Southern Italy, where it’s called Primitivo). If you’re inclined to pair junk food with your vino (no judgment), you might enjoy the synergy found between a sip of Zinfandel and a mouthful of spicy Doritos, a ubiquitous Super Bowl snack. Zin also complements spicy-sweet meat dishes like pulled pork, and baby-back ribs doused with Dinosaur BBQ sauce.

Bedrock “Old Vine” Sonoma Valley, California, 2013, $25: Full-bodied, lush, with black cherries and spice.

Sherry
This fortified wine from Andalucía in southern Spain elevates salty foods like cured meats (ordering a six-foot-long Italian sub?), olives, and peanuts, and fried finger foods such as calamari, spring rolls, or croquettes, from mindless pop-in-your-mouth status to “holy crap, what did I just eat?” sublime. Pick up a crisp, bone-dry, saline Fino (made via the biological method; no oxidation) and a richer, nuttier style like amontillado.

Valdespino, Fino “Inocente” NV (375 mL), $12.99: Tastes of almonds and ocean breezes.

Lustau Dry Amontillado “Los Arcos” NV, $15.99: Nuts, dates, dried fruit.

Sauvignon Blanc
This crowd-pleasing, workhorse white pairs surprisingly well with chile-pepper-laden dishes, especially bell peppers, jalapeños (which have a flavor profile also found in Sauvignon Blanc), poblanos, anchos, and serranos. Notoriously difficult wine pairings like artichokes (found in dips or fried), tomatoes (think salsa), and the herb cilantro (also in salsas, guacamole, and most Mexican food) love Sauvignon Blanc. The wine’s bright flavors range from herbal to tropical; classic examples are from New Zealand and Sancerre, but South Africa increasingly makes compelling, well-priced versions.

Seresin, Marlborough, New Zealand, 2012, $24.99: More money, more complexity than the typical NZ S.B.

Mulderbosch, Stellenbosch, South Africa, 2014, $14.99: Easy to find, easy to sip, a little grassy, and a little tart.

Rosé
Who says you can’t drink pink in the winter? Or while watching football? To quote Julia Child, who incontrovertibly knew her shit, “Rosés can be served with anything.” Why? Rosé straddles the world of white and red: It delivers zippy, palate-cleansing acidity with enough body and fruit to stand up to typically heavy game-day dishes. Dry rosés work particularly well with charcuterie, BBQ, hamburgers, pork, and even sausage. Like she said: anything. The only problem with rosé is tracking it down in the middle of winter. Fortunately, Sherry-Lehmann stocks emergency cases of pink year-round.

Chateau d’Aqueria, Tavel, France, 2013, $18.99: Ripe berry fruit, a hint of tannin, and fresh acidity.

Where to Buy:

Astor Wine & Spirits, 399 Lafayette Street, 212-674-7500

Sherry-Lehmann, 505 Park Avenue, 212-838-7500

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How Bad Is Your Champagne Habit?

SparklingFerrariGlasses.jpg

New Year’s Eve has arrived! Did you meet all your goals for 2014? No matter. You can reiterate them again on the first of the year, with a fresh glass of bubbles in hand: Make more money and cut back on carbs (or will 2015 be the end of an allergy return of gluten?), booze, and podcast binges.

Since Champagne and sparkling wines have long been the de rigueur drink of choice for New Year’s Eve (and for the days of recovery after), this year — as long as you don’t saber off the bottle tops — you can keep precious CO2 (fizz) trapped in the wine for almost a week, with a little life-support from a Genesis system.

SaberTime

But before I delve into my review of the Genesis and whether your Champagne habit justifies its $500 cost, here are a few bottle recommendations — some favorites from 2014 — worth seeking out for tonight’s toast.

Deal Disguised as a Splurge
Dom Ruinart Blanc de Blancs Brut, 2004, $129
This historic Champagne house produces an exquisite, exceptionally priced vintage tête de cuvee from Chardonnay grapes sourced exclusively from grand cru sites.

Good Value Champagne
Champagne Deutz, Brut Classic, NV, $42
Well-priced, lesser-known label owned by respected house Louis Roederer. So good, it was once the private-label Champagne of Morrell’s Wine Shop, which still carries the brand.

Italy’s Finest
Ferrari Perle, 2007, $38
This sparkling wine house out of Trentino, Italy, does what Champagne can, but for a lot less money: It makes long-aged, layered, elegant, and lively wines, including this vintage bottling, for half of what a Champers would run. The Ferrari entry-level NV Brut is a particular bargain, too, at around $20.

Grower and Organic
Pascal Doquet, Blanc de Blancs Premier Cru, $59.99
From a producer/grower who has diligently converted his vineyards to organic, a rarity in Champagne. This bottle is a blend of those organically farmed grapes from premier crus in the southern Côte des Blancs.

Back to the Genesis…

GenesisSystem.jpg

The Genesis, created by Napa Technology, is the first at-home, single-bottle wine preservation and dispensing system, designed for both still and sparkling wine. You may recall the big hit from last year, the Coravin, which — at one-eighth the size of the Genesis (akin to an oversized Rabbit Corkscrew), and for $200 less ($300 v. $500) — seems like the hands-down winner when compared with the Genesis, until you factor in the former’s incompatibility with bubbles.

The Coravin system inserts a slim needle into the cork, dispenses inert gas and draws out wine like a feasting mosquito, all while keeping the cork intact and the bottle fresh indefinitely. It can’t be used with Champagne, however, due to the air pressure in the bottle; hence the reason you (debatably) need a Genesis, too.

Genesis uses a proprietary technology called IntelliCork: Once the wine’s real cork is removed, the user places the bottle into the system (designed to sit on a kitchen counter and tuck in just below most cabinetry), so oxygen can be removed and replaced with “WineGas” before the bottle is topped with a special cork. Still wines save for two months; sparkling wines earn five extra days.

The product is composed of a silver base and black plastic casing, giving it the appearance of a giant, skinny coffee maker; it comes with two corks for still wine and one for sparkling, plus two canisters of WineGas, which is enough to preserve and pour 24 bottles.

After assessing the machine, I found it easy to use and capable of keeping my sparkling wine frothy. However, I’d recommend buying the Coravin if you like to sample wines over a longer period of time than two months, have space restrictions, and your bubble preservation needs range from minimal to the point of novelty.

But — and this is a big but — for regular drinkers of expensive, pressurized wines, i.e., Champagne (who are you, and can we be friends?), then Genesis is the only product on the market that can squeeze a few more sunsets from the bottle.

And for drinkers who wish to sample and save several sparkling bottles at once, they will need to invest in a few more specialty corks which cost a hefty $59.99 apiece. (The system only comes with one sparkling wine IntelliCork.)

Perhaps greater than for the home user, I see the practicality of restaurants investing in the system: They can offer a greater number of better-quality selections of sparkling wine by the glass, and do double duty preserving still wines, too.

The upgraded Genesis Pro, thus, is designed for tasting rooms and restaurants, costs $899, and comes with 10 IntelliCorks and enough WineGAS to preserve 40 bottles.

If your go-to sparkling is Freixenet (not that there’s anything wrong with it), the Genesis probably doesn’t fit into your budget, but it does give you something to aspire to when making your 2015 resolutions.

Happy New Year!

May 2015 bring you peace, prosperity and good wine.

Where to Buy:

Genesis: $499 plus shipping, is sold at GenesisPreserve.com, Amazon.com, WineEnthusiast.com, and NapaStyles.com

The Wines:

Chambers Street Wines, 148 Chambers Street, 212-227-1434
Flatiron Wines, 929 Broadway, 212-477-1315
Astor Wines, 399 Lafayette Street, 212-674-7500

 

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Alquimie: The Most Ravishing Drinks Magazine in the World?

Alquimie3

It looks like my days of hoarding handsome magazines have returned.

Wrapped in plain brown paper, my first copy of Alquimie arrived from an unfamiliar overseas address. Pulling it from the packaging with the excitement of an unexpected gift, I thumbed through the weighty edition’s pages, and instantly felt a potent nostalgia for the days of print. Is Alquimie the most ravishing drinks magazine to publish in the last decade?

While adopting a model of print media and shipping the cumbersome result around the world from its founders’ base in Australia sounds like a great way to turn any size pile of money into a smaller one (like owning a vineyard!), the team behind it hopes a readership yearning for beautifully written content and presentation, will support the effort.

Alquimie’s motto “breathing new life into drinks” certainly pertains to the physical attributes of the magazine, although it’s more reminiscent of a journal with its quarterly publishing schedule, matte cover, and heavy paper stock.  Each page shows careful, artistic intention both in layout and gorgeous photography. This tactile approach, meant to lure a base of practical romantics who long to hand write notes with the smooth comfort of a Mont Blanc fountain pen between the fingers, but succumb to email for the majority of their correspondence, will charm them (me) as intended. To address that important practical side, however, they’ve developed a sleek website.

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Fortunately, the authors, sourced from the founding team and journalists around the world, write articles as compelling to read as they look on paper.

The current edition (its third) tackles a diverse landscape of topics ranging from coffee, Armagnac, whisky, and little-known Swiss grape varieties. Food, integral to the experience of drink, also receives treatment: this quarter, author Tony Tan explores the sub-regional cuisines of China. In a section devoted to tasting and reporting on spirits and wine called The Palate, they review boutique Champagne, consider the nuances of vodka (nuance being the operative word), and compare notes on several value wine recommendations through the lens of professionals v. the lay taster.

Supplementing their subscription fees, Alquimie offers an interesting addition to the traditional media model: they sell wine. Josh Elias, the Editor in Chief, handles the selections, and although he says there isn’t a strict criterion on how he chooses the bottles, the people behind the projects share a similar narrative in that they are “small producers doing things a little bit differently.”  The wine subscription offer applies primarily to Australian residents unless foreigners have the wallet for astronomical, overseas freight charges.

So who is behind Alquimie? Four colleagues who consider themselves friends first, business partners second, according to Josh. The other three publishers and founders are James Morgan, Photographic Director; Nicholas Cary, Creative Director; and Raul Moreno Yague, Chief of Contributors.

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I emailed Josh a few questions to learn the impetus behind Alquimie’s creation, and to ask what they believe they add to the global beverage conversation. We also addressed favorite cocktails, up-and-coming producers in Victoria, Australia, and how Josh would like to be traveling in two places at once (Sicily and Piedmont).

What inspired the creation of Alquimie?

We wanted to produce a print publication that we could read ourselves. We couldn’t relate to the existing offerings. We wanted to produce something a little more democratic, less authoritarian with more of a focus on the narrative (the narrative of the story & the document). Drinks require context. Be it a dining table, or a time in history. The concept of ‘drinks in a vacuum’ never made sense to me.

What was your previous (or concurrent) profession?

I am a law graduate, who worked in a family business in the fabric industry and then spent nights working as a sommelier in fine dining. My grandfather quite rightly calls me a jack of all trades, master of none. Though, I’m studying the Master of Wine qualification at the moment, which hopefully means that one day I’ll prove him wrong. Alquimie occupies most of our time at present. Even when we are doing other tasks, working other jobs, it is on our minds.

How did you decide on the name?

It was about creation and narrative. We wanted something that hinted at a story and a science combined. We felt Alquimie — the original french derivation of Alchemy — ticked those boxes.

Did friends or family have doubts about taking the print channel, including global shipping?

For sure they were skeptical but I guess part of that comes from being protective. In terms of the evolution of print and the changing of that industry, we believe that the timelessness of our publication, our careful selection of tried and tested subject matter differentiates us from other, timelier magazines. We aim to be a reference piece. Our publication doesn’t mention current events or index the ‘hottest new releases’. Alquimie is not a guide or an index for instant answers, it is an opportunity to sit down and let your mind wander. I think our family and friends relaxed once they saw and felt the magazine. The quality of the finishes helps to create a universal acceptance of quality. Much of that is due to James’s photography and Nic’s design. They make my job, as a drinks writer, very easy.

What are you attempting to add to the world of drinks publishing? What did you think was missing?

I think it was missing accessibility and a sense of context. As an industry, drinks publishing is fairly good at communicating about the product, in isolation. However, wine media, as an example, are very much focused on the projection of their ‘objective truths’. To this end, the writing can be somewhat authoritarian and dictatorial. We wanted to step away from that style. It doesn’t benefit the consumer who may be trying to develop their own palate or embrace the beautiful variables to be found in drinks, of which there are many. Such is the problem with that phenomenal addiction known as ‘wine-scoring’. It doesn’t answer any of the ‘why’ questions. Rather, it encourages blind following. It also has the consequence of shortening the conversation with the consumer. It unduly simplifies the product to the point which, I believe, is somewhat disrespectful to the people who put all the effort into the growing, making and marketing of their product.

We prefer to talk about fewer products, giving each of them the respect that they deserve. These points are true for writing about coffee, water, spirits, etc. However, wine is a good example because I believe it to be the most experienced drink, in terms of communication. Our decision to write about all drinks, also helps to break down a few of the expected ‘norms’ associated with wine writing.

What’s your favorite type of wine? Cocktail? Nightcap?

In terms of wine, I’d say that I drink either of pinot noir or nebbiolo most often. However, I try to taste widely in order to keep my palate sharp. As for spirits, I’m a sucker for Armagnac; the heat, the warmth and the sweet, spicy flavors. An old bottle of Darroze doesn’t go astray. As for cocktails, an old fashioned or a negroni are the two that you’d most likely catch me drinking.

What’s new or unique to the drink world in Victoria, Australia that people should know about?

Patrick Sullivan, BobarLinnaea winesMelbourne Gin Company, Four Pillars Gin, and Madenii Vermouth. First and foremost, these are great people. Secondly, they create products with unique personality. They have curly edges and stark flavours. Most of all, they are delicious.

If you could be traveling anywhere right now, where would you be?

That’s hard. I’d say Sicily. Usually I’d say Piedmont because Barolo is my favourite wine region. However, there is such an amazing array of viticultural styles across the island. From the zesty whites and structured reds of Etna, through to the floral reds of Vittoria or the rich fortifieds of Marsala. The seafood and the pasta dishes are sensational and a welcome accompaniment to the wines. Not to mention the beach, the sun, and the architecture. Rock formations poking out from the sky blue water…. Getting carried away here….

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Long Weekend in Champagne

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Less than a two-hour drive from Paris (or 45 minutes via TGV train) lies the near-mythical French region of Champagne, a (champagne) bucket-list destination for wine lovers who consider it the pinnacle of sparkling wine production. The region’s grand capital Reims offers more to do than dabble in bubbles—visit the monumental cathedral, hike the scenic trails up Montagne de Reims, or rent a bike to cruise around town. However, champagne, as in drinking it, is still, predictably, the primary attraction.

While highlights can be crammed into a pleasant (but long) day trip from Paris, you’ll miss out on the charm of the surrounding villages where legions of small grape-growers, whose manicured vineyards blanket the countryside, produce their own bottles rarely found in stores or restaurants outside France. Plus, champagne sold in Champagne is refreshingly affordable—bring an empty suitcase to haul your liquid treasures home.

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DAY 1

Arrive in Reims in the morning, and get started with a tour of the historic, underground chalk caves (followed by a glass of bubbles, naturally) at a couple of the venerable, big-name champagne houses clustered in the southern part of town: Pommery, Taittinger, Veuve Cliquot, or Ruinart.

For lunch, seek out local favorite eateries like Le Bocal, a cute, 12-seat seafood purveyor-cum-restaurant; Hall Place, a wine bar with adjoining retail shop in the back; or the refurbished Brasserie L’Affaire, offering a reasonably priced and tasty prix-fixe steak frites lunch.

For true sybarites, the obvious end to an afternoon of champagne tasting in Reims would be to dine at the hands of a Michelin-starred chef, and then retire exhausted to a lavishly appointed room. Fortunately, Reims is blessed with two properties providing both: Le Parc restaurant at the Château Les Crayères and A. Lallement at Hotel L’Assiette Champenoise.

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DAY 2

Pick up a rental car and a map, or better yet, hire a driver (expensive, but worth it if you have the funds) to visit the smaller grower/producers dotting the landscape surrounding Reims. Budget an hour for the drive to Épernay on a route skirting the picturesque Montagne de Reims. The nearby Grand cru vineyards produce some of the world’s most expensive Pinot Noir grapes—stop off for tastings at village producers along the way, where, although appointments are generally recommended, many serendipitous experiences stem from simply knocking on doors. Proprietors will generally not charge for a tasting, but appreciate the purchase of a bottle.

For a guaranteed stop on your itinerary without the restraint of an appointment, Henri Giraud, in Ay, allows walk-ins (but does charge for tastings). The tasting room is modern, more art gallery than wine shop, and staffed by a knowledgeable, English-speaking host.

After a day of touring, you can either return to Reims, or stay the night in the little village of Avize to wake up amidst the Chardonnay vines of the Côte des Blancs. Try Les Avisés Hotel and Restaurant, a cozy, tastefully designed property run by Anselme Selosse of Champagne Jacques Selosse fame. Unfortunately, guests have no special guarantee of opportunity to buy his coveted wines. In Épernay proper, there are only a handful of smaller guesthouses; nearby, the beloved, if fading, La Briqueterie, has characterful common rooms and expansive grounds.

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DAY 3

If open to yet another day of tasting (of course you are—you’re in Champagne!), visit one of the major houses based in Épernay such as Moët et Chandon, Dom Perignon, Mercier, or Nicolas Feuillatte.

Alternatively, continue the road trip further south for a short village-by-village trek through the fabled Côte des Blancs region, realm of Chardonnay, Blanc de Blanc (Chardonnay-based Champagne), and the prestigious vineyards of Cramant, Avize, Oger, and Le Mesnil-sur-Oger.

Heading back through Épernay by late afternoon, don’t miss a stop at one of the world’s greatest Champagne stores, 520, along Avenue Paul Chandon. With your newly savvy palate, stock up on hard-to-find and small-production bottles of the utmost quality, at better-than-cellar-door prices.

Conclude your bubble-soaked weekend with a visit to the Cathédrale Notre-Dame de Reims. Equal in size and majesty to the Notre-Dame in Paris, the cathedral has witnessed key moments in history since the 13th century, including over thirty coronations, shellfire during the First World War, and the German surrender in World War II. Depart the cathedral to take a leisurely walk north towards the train station if catching one back to Paris, while considering how visiting Champagne was a key moment in your history.

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Mondays Are Better with Bubbles: Ruinart Champagne and Chef Michelle Bernstein

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Thinking about Monday on a Sunday tends to induce a range of feelings from anxiety to dread. However, I recently spent a weekend joyously anticipating its conclusion so that come Monday, October 19th, I could spend several hours tasting Ruinart Champagne (tasting, not drinking—it is a Monday, after all). Hosted by Frederic Panaïotis, Chef de Caves at Ruinart, the event was held in a private Greenwich Village loft with renowned Miami Chef Michelle Bernstein orchestrating a beautifully paired lunch.

I have known Ruinart for over a decade, but didn’t realize the brand had only been in the States for the past 6 years (I must’ve been imbibing it in Europe). Considering Ruinart is the oldest Champagne house, established by Nicolas Ruinart in the city of Reims in 1729, and is currently owned by LVMH, it’s hard to believe they have a relatively young presence in our market. And imagine–in 2029, the house will reach 300 years of expertise in the art of Champagne production. Very few wine brands in the world can boast such longevity.

TableSetting

Speaking of art, the house is a great patron of contemporary art and design; for instance, they are the official Champagne of Art Basel. However, Ruinart demonstrates a greater interest in supporting the arts than having “artists” support its wines, particularly whilst gyrating until dawn in a nightclub. The house does not court the baller contingent that has the power to propel brands such as Louis Roeder’s Cristal into becoming a staple reference in hip-hop lyrics and on overpriced bottle service lists. Ruinart’s purported goal is to reach the sophisticated, thoughtful oenophile, which, last I heard, was neither Ke$ha nor the legions of Jay-Z wannabes (although Jay-Z himself has apparently quit Cristal over a case of reverse ‘dis by the brand, which of course depends on whether you view the rap industry’s unique way of embracing the wine, to have been respectful or disrespectful in the first place.)

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Back to Monday’s lunch. Four wines were presented: NV Ruinart Blanc de Blancs in magnum, 2002 Dom Ruinart Blanc de Blancs, NV Ruinart Rosé in magnum, and 1998 Dom Ruinart Rosé. Something to note–all Ruinart vintage wines age for 12 years on the lees, followed by at least a year in bottle. The length of ageing shows, producing wines of finesse, intensity of flavor, and fine texture.

Although I had come to Ruinart through their Blanc de Blancs, Chardonnay being the foundation of the house cuvées, and, in their words, “the very soul of Ruinart,” I left smitten with the rosés. The NV is comprised of 45% Chardonnay from the Cotes des Blancs and 55% Pinot Noir from the Montagne de Reims. Aside from its red berry perfume, the wine had a beguiling note of dried rose petal that left me sniffing as much as tasting. The 1998 vintage rosé Dom Ruinart displayed very different color and character, as you might expect from a Chardonnay-dominant wine with 14-plus years of age (85% Chardonnay and 15% Pinot Noir vinified as red wine). Flavors leaned towards the tart red fruit spectrum with citrus and pink grapefruit on the long finish. A superbly aged but not yet mature wine appropriately paired with a final course of cheese.

Cheeseplate

The friendly and accessible chef, Michelle Bernstein, demonstrated through her dishes how Champagne can be served with every course of a meal. Apparently an enormous fan of Ruinart, she proclaimed “why leave bubbles for special occasions or as an aperitif when they can be paired with everything!” After experiencing lunch with her and her muse Ruinart, I concur.

Below, I have included an image of the menu, shots of the loft and its vintage décor, and, of course, the food.

Menu

Loftandtable Ruinartandcurios Salmoneggandcaviar loftlivingspace

Tablesetting-2 Menunesltedinnapkin Shrimpandpopcornstarter Bowloffigs

Cassouletfoie Champagneandchess Oysterstarter oldradio Loftbar Ruinartbox

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Four Alternative Sparklers to Champagne and Prosecco

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This holiday season I am putting to rest two widely held notions: Champagne is the only way to celebrate stylishly, and if you can’t afford Champagne, you must drink Prosecco.

Both have their place, but so do other regions that produce exceptional sparkling wines using the same time consuming, laborious method as the Champenois, with wallet-happy results.

So, let’s take it from the top!

Bubbles for Beginners

All sparkling wines undergo two fermentations: The first turns juice into wine; the second creates the bubbles.

Authentic Champagne comes from the Champagne region in North-Central France and the rest is sparkling wine. The Champenois have effectively stopped the rest of the EU (but not the Americans) from labeling sparkling wine products “Champagne,” hence the term méthode traditionnelle (traditional method) to identify wines made similarly.

To be considered traditional method, the second fermentation must take place in a bottle, spurred by the addition of yeast and sugar. Next, the wine must spend a minimum amount of time aging on the dead yeast (lees) to gain the desirable bread crust, biscuit and brioche notes for which Champagne is renowned. Finally, the yeast is coaxed into the neck of the wine bottle, the lees are frozen then expelled upon the uncapping of the bottle, and the bottle is corked.

Champagne alternatives
Keep in mind these suggestions are not replacements for Champagne; they don’t taste like Champagne because they aren’t Champagne. Rather, each region offers a sparkling expression of its time and place. But would you only travel to Paris when you could also visit Tokyo, Cape Town and Bali?

FRANCE: The French have perfected the art of bubbles, and produce them all over the country in the style of Champagne, identifiable by the term Crémant. Two regions to try:

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Crémant d’Alsace: I once had a sommelier tell me he wouldn’t put Crémant d’Alsace on his list because it wasn’t trendy enough. Ironically, this category of fizz tops the charts in sales amongst the French, after Champagne; gaining favor when the economy was tanking and bubble enthusiasts wanted less expensive, high-quality alternatives. The postcard-pretty region, set in the shadow of the Vosges Mountains, has been making sparkling wine since the 1880’s. The grapes allowed are Pinot Blanc, Pinot Gris, Auxerrois, Riesling and Chardonnay. Pinot Noir is the only varietal for blanc de noir or rosé. If you can’t afford rosé Champagne, look to Alsace for cheaper yet charming options.

Wine to find: Gustave Lorentz, Crémant d’Alsace Rosé NV, $24. This clean, crisp 100% Pinot Noir with a rose-petal tint exudes strawberry, raspberry and bright orange zest flavors with a hint of spice. Cheap and charming with a party-perfect hue.

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Crémant de Limoux: Located on the mountainous, western edge of the Languedoc, most people haven’t heard of this region; a good thing if you appreciate high QPR in your wines plus bonus points for obscurity. Locals claim a record of sparkling wine production that precedes Champagne, meaning they have been working on the formula a long time. The wines are made from three grapes: Mauzac, Chardonnay and Chenin Blanc. Modern Crémant styles utilize Chard and Chenin, but the ultra-traditional, more rustic Blanquette de Limoux is made from a majority of Mauzac.

Wine to Find: Gérard Bertrand Crémant de Limoux, $13. This dry, bright wine made from Chardonnay (70%), Chenin (20%) and Mauzac (10%) is how I imagine Chablis turned Crémant might taste. Fresh, zippy apple notes hang on an austere frame with nuances of bread dough and a chalky, mineral-laden finish.

ITALY: Prosecco is fun and friendly, but not made in the traditional method. Italy has two appellations offering serious yet affordable contenders to Champagne:

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TrentoDOC in Trentino: Metodo Classico wine production in Italy dates back to 1902 with the founding of Ferrari winery in Trentino. Guilio Ferrari learned to make Champagne in Épernay then returned home to produce his own luxury brand, bringing along the first Chardonnay grapes to be planted in Italy. The high-altitude vineyards of the appellation, nestled at the base of the Dolomite Mountains in North-Central Italy, produce stunning, refined and structured wines. The region would be poised for recognition as the premier producer of Italian sparkling if more of the 38 wineries were picked up for exportation. As it stands, Ferrari is the dominant, albeit superior, producer available in the U.S. Although four grapes are allowed for sparkling: Chardonnay, Pinot Noir, Pinot Meunier, and Pinot Blanc, blanc de blancs (100% Chardonnay) is the regional highlight.

Wine to Find: Ferrari Brut NV, $25. This creamy, elegant blanc de blancs with persistent perlage, offers bright lemon, fragrant pear and fresh bread-dough, for an incredible price. Make this your “house” sparkling.

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Franciacorta DOCG in Lombardia: Franciacorta has at times been referred to as the “Champagne of Italy”, though never by the producers themselves who loathe the comparison. The wines are crafted where the Italian Alps descend into Lago D’Iseo in Brescia. The name Franciacorta applies solely to sparkling wines from this area, made in the traditional method using Chardonnay, Pinot Blanc, Pinot Noir and Pinot Gris. Although the history of sparkling here is nascent as compared to Trentino, Franciacorta enjoys greater name recognition in the U.S., thus wider distribution and slightly higher prices. Relative to Champagne, however, the quality to price for these structured, elegant wines is still outstanding.

Wine to Find: Ca’Del Bosco NV Cuvee Prestige Brut, $35. Packaged like Cristal, this house’s entry-level bottling is made from Chardonnay, Pinot Noir and Pinot Blanc. The wine shows vibrant acidity, a creamy mousse and hints of pear, apple skin, and hazelnut, with a touch of honeyed happiness on the finish.

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