Thinking about Monday on a Sunday tends to induce a range of feelings from anxiety to dread. However, I recently spent a weekend joyously anticipating its conclusion so that come Monday, October 19th, I could spend several hours tasting Ruinart Champagne (tasting, not drinking—it is a Monday, after all). Hosted by Frederic Panaïotis, Chef de Caves at Ruinart, the event was held in a private Greenwich Village loft with renowned Miami Chef Michelle Bernstein orchestrating a beautifully paired lunch.
I have known Ruinart for over a decade, but didn’t realize the brand had only been in the States for the past 6 years (I must’ve been imbibing it in Europe). Considering Ruinart is the oldest Champagne house, established by Nicolas Ruinart in the city of Reims in 1729, and is currently owned by LVMH, it’s hard to believe they have a relatively young presence in our market. And imagine–in 2029, the house will reach 300 years of expertise in the art of Champagne production. Very few wine brands in the world can boast such longevity.
Speaking of art, the house is a great patron of contemporary art and design; for instance, they are the official Champagne of Art Basel. However, Ruinart demonstrates a greater interest in supporting the arts than having “artists” support its wines, particularly whilst gyrating until dawn in a nightclub. The house does not court the baller contingent that has the power to propel brands such as Louis Roeder’s Cristal into becoming a staple reference in hip-hop lyrics and on overpriced bottle service lists. Ruinart’s purported goal is to reach the sophisticated, thoughtful oenophile, which, last I heard, was neither Ke$ha nor the legions of Jay-Z wannabes (although Jay-Z himself has apparently quit Cristal over a case of reverse ‘dis by the brand, which of course depends on whether you view the rap industry’s unique way of embracing the wine, to have been respectful or disrespectful in the first place.)
Back to Monday’s lunch. Four wines were presented: NV Ruinart Blanc de Blancs in magnum, 2002 Dom Ruinart Blanc de Blancs, NV Ruinart Rosé in magnum, and 1998 Dom Ruinart Rosé. Something to note–all Ruinart vintage wines age for 12 years on the lees, followed by at least a year in bottle. The length of ageing shows, producing wines of finesse, intensity of flavor, and fine texture.
Although I had come to Ruinart through their Blanc de Blancs, Chardonnay being the foundation of the house cuvées, and, in their words, “the very soul of Ruinart,” I left smitten with the rosés. The NV is comprised of 45% Chardonnay from the Cotes des Blancs and 55% Pinot Noir from the Montagne de Reims. Aside from its red berry perfume, the wine had a beguiling note of dried rose petal that left me sniffing as much as tasting. The 1998 vintage rosé Dom Ruinart displayed very different color and character, as you might expect from a Chardonnay-dominant wine with 14-plus years of age (85% Chardonnay and 15% Pinot Noir vinified as red wine). Flavors leaned towards the tart red fruit spectrum with citrus and pink grapefruit on the long finish. A superbly aged but not yet mature wine appropriately paired with a final course of cheese.
The friendly and accessible chef, Michelle Bernstein, demonstrated through her dishes how Champagne can be served with every course of a meal. Apparently an enormous fan of Ruinart, she proclaimed “why leave bubbles for special occasions or as an aperitif when they can be paired with everything!” After experiencing lunch with her and her muse Ruinart, I concur.
Below, I have included an image of the menu, shots of the loft and its vintage décor, and, of course, the food.